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NICE CARNIVAL 2005

NICE CARNIVAL / CARNIVAL OF NICE
Nice France : the city of French Carnival

" The CARNIVAL is the most important popular cultural event that a country can know "
. Jorge Amado

" The Carnival Parade in Nice has gained the reputation as one of the best parade in Europe "
. Charlotte DeWitt and Bruc Skinner - International Festival Association

Nice France CarnivalForward
The Carnival is nowadays celebrated at different moments of the year according to countries or regions.
Best European winter festivals, such as the famous carnivals of Nice, Venice, Tenerife, Viareggio, Cologne, it knows its highlight at the time of Shrove Tuesday and spreads its fame beyond the Atlantic Ocean to Rio, Trinidad, New Orlêans, Quebec.
Already, in the XIII-th century, the Carnival of Nice knew the fame and it remains another big popular festival nowadays.
At the end of last century, it had become the most important Carnival of Europe.
All the most illustrious members of European and world Gotha came to stay the winter in Nice and participated in the Carnival.
The Carnival of Nice corresponds at the same moment in embodiment of the cultural identity of Nice - by the wealth and the force of its popular prints and to the meeting of other festivals and the cultures.
Every year, it gives to the inhabitants of Nice a spontaneous opportunity to relive a period coloured with their history. The grotesque space becomes the cœur of a town which beats and vibrates all its fires.
To find the previous history of this festival, it would be necessary to return very far to past, maybe, in the time of the prehistoric man. Heathen feast originally, channelled by the Church in the Middle Age which inserts it into the cycle preceding the period of Fast, Carnival takes place during the " days fat " (On Shrove Tuesday), or during the cycle between Christmas and On Shrove Tuesday. " Levare, levamen Leathery meat ", " removes the flesh ", is one of the definitions the most usual étymologic about the Carnival. It hints at the period when one " removes the flesh ", where one consumes last time of the fat kitchen before entering Fast or " quadragésime " (period of forty days hanging who the Christians should consume of light cooking, until Easter). " Carrus navalis " naval float ", is the another definition advancedto move closer to the previous history of the carnival, in the naval float or the transported boat, on which Dionysos, the god come from the sea, penetrated into the Greek islands to celebrate the name-days deserving of his name. So, before entering Fast, period of abstinence and light cooking, the carnival was the last holiday which gave place to loose excesses on behalf of the participants, in " allowed excesses " ~, to start again famous Freud's formula. In the urban space, a fantastic stage setting builds up itself, with rites respected during the centuries, and roles played by nearby persons of the world of the Supernatural, of the Fantastic, stemming from the popular mythology of the Carnival. Among these " roles ", appears that fundamental, of the Man Savage: Plant, leafy, or animal (bear, deer, ram, goat, symbol of fertility and regeneration of the Nature or Driver of the " souls of the deaths " which roam during the grotesque period, between the World of the Darkness and the Sky. The grotesque space becomes a place of mediation between the realm of the deaths and that of the alive.
The grotesque mask, masks disguise, then invested with a sacred, almost magic sense, is the essential attribute of the grotesque holiday. One finds the track of it in the main civilizations of the Mediterranean Sea: in Egypt, in Palestine, in Greece. This last door of numerous representations of masks on grotesque vases, wall frescoes, which represent masked dancers.
It was about grotesque comedies that one called "Cosmos", either of tempestuous name-days in honour of the cult of Dionysos.
Saturnalia and Lupercales in the time of Romans in December and February, were the object of loose flood on behalf of the participants; one attended the inversion of the sexes (the men disguised as women) and in the inversion of the roles (The slave became the boss for day). The Christian Church did not reach in spite of its constant criticisms and its condemnations to repress the heathen and loose character of the Carnival which knows a fertile life during the Middle Age, and develops in several medieval cities in Italy, France, Germany, Belgium, Netherlands, Spain.
Nowadays, the symbolic meaning of the Carnival lost many of its sense, but the festival lives with aspects and different calendar according to regions.
Winter holidays, the Mediterranean Carnivals privilege the big parades of floats in pasteboard which are œuvre of talented artists as the carnavaliers of Nice, Viareggio, Putignano (Italy), Patras (Greece), Malta or Valencia, in Spain.
Very original and traditional at the same time, carnival of Santa Cruz of Tenerife, (Canarian Islands), implies the whole population that it is for the parades of comparsas influenced by the afro-Brazilian and Cuban musics, either the fantastic rite of the Funeral of the Sardine.
The Carnival of Nice, - which was the biggest carnival of the world in the Beautiful Time, and among which " corsi grotesque " and the " battles of flowers " influenced unmistakably and sometimes served as model in the development of the Rio carnivals, Viareggio, New Orleans, Quebec, either in the famous parade of the Tournament of Roses of Pasadena - is in a bend of its history.
Rich in past and in exceptional patrimony, it is in search of a new breath and a new meeting is made between carnavaliers and contemporary artists. But before arriving there, please, let us tell you the history.

A holiday of balls and masquerades
From the end of the XIII-th century, the fame of the carnival of Nice is underlined in the local chronicles during the stay in 1294 by the count of Provence Charles II, duke of Anjou, come to Nice " to spend there the joyful days of carnival ". From
1388 (dates in which the county of Nice looks itself to Amédée VII, count of Savoy), the dukes of Savoy stayed frequently in Nice in period of carnival, as duke Emmanuel-Philibert in 1577 and 1578. The carnival preceded the period of the fast accompanied with a series of festivities: balls, masquerades, dances, fires of enjoyment, exhibitions of jugglers and mimers, tables put in streets. Unsuccessfully, the Church tries to channel the most rough and obscene aspects of the holiday. Ecclesiastical prescriptions in the XVII-th century order the priests at the risk of fine or of prison " not to dance, either in public, or in private, not look at people who dance, not to wear long hair, long beards, red or green shoes in public. Do not walk come night, not sing profane songs in streets, not execute pieces of music, not mask ". But in vain: In the town well protected inside its bulwarks, the carnival takes place happily, under the control of the property managers of the city, who, by an edict of 1539 (completed in 1612), name " abbots of the Madmen " in charge of organizing and regulating the festivals and the balls of carnival.
Balls took place right by the main centres of the urban activity: the ball of the nobility, on the place or the loggia of the ducal palace, the ball of the traders, the place of the Bishop's palace, the ball of the artisans, the place Saint-Francois, in front of municipal palace, the ball of the fishermen and the workers, place of Condamine. To circulate freely from a ball to the other one, it was necessary to be masked and " disguised suitably ", otherwise the Inhabitants of Nice were anxious to stay in the ball corresponding to their social class.
The abbots of the Madmen were in charge also of commanding the musicians of balls, of perceiving the right of tumult during remarriages and said pelota tax taken with the young couple of the year.

Nice France Carnival 2005 - History : 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

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